Jinan Guyun Percussion Instrument Co., Ltd. is located in the beautiful and fertile Zhangqiu District of Jinan City, known as the "Little Spring City". The company's predecessor began as a workshop-style family production in 1992, mainly producing ethnic percussion instruments.
Our company boasts an excellent geographical location and convenient transportation conditions. With one-stop services provided by surrounding supporting manufacturers, we ensure that our products are of good quality while achieving cost and service advantages.
Wang Dezhi
Wang DezhiTitleImage Ambassador, Jinan LRhythm Percussion Co., Ltd.Academic BackgroundThird-year undergraduate student majoring in Traditional Chinese Percussion at Shandong University
Wu Chongwei
Global Image Ambassador of Drum Rhythm | Image Ambassador of SingaporePrincipal Percussionist, Singapore Chinese Orchestra
Zhao Sizhi
Zhao Sizhi – Contemporary Percussionist, Composer & Conductor
Zhou Shi
Formal English Translation (For artist resume, concert brochure & official profile)Name & Brand TitleZhou ShiImage Ambassador for the Yue Instrument Series, Jinan LRhythm Percussion Co., Ltd
Ma Lin
Ma Lin – Artist BiographyBrand TitleImage Ambassador, Jinan LRhythm Percussion Co., Ltd.Ma Lin is a young percussionist with the China Broadcasting Chinese Orchestra, and former percussionis
Wang Chao
Wang ChaoProfessional TitleImage Ambassador, Jinan LRhythm Percussion Co., Ltd.ProfileMale. He holds a Master’s degree in Percussion from China Conservatory of Music and is currently pu
澳门中乐团打击乐首席-李畅
李畅个人艺术简历 自幼随父亲李典民学习打击乐，毕业于中央音乐学院，师从博士生导师、打击乐演奏家王建华教授。求学期间得到“八大锤”名家田鑫、李聪农、马里以及李真贵、刘光泗、柳启平、刘刚、李飚等教授指导，后在工作中得到安志顺、阎学敏、陈佐辉、王以东、李慧、庄杰派等名师指导。 作为独奏家参加澳门国际音乐节、澳门艺术节、丝绸之路艺术节、葡萄牙国际音乐节、上海之春音乐节等，并先后
国家一级打击乐演凑家-张仰胜
张仰胜济南鼓韵打击乐器有限公司军方形象代言人；著名打击乐演奏家；国家一级作曲；中央广播电视总台中国器乐电视大赛专家评委；CCTV民族器乐电视大赛专家评委；北京文化艺术基金专家评委；IPEA国际打击乐比赛专家评委；中国民族管弦乐学会常务理事暨打击乐专业委员会副会长； 中国音协民族打击乐学会副会长；中国声音学会副主任；中国人民大学客座教授；主要作品：2008北京奥运会开幕式《击缶而歌》作曲暨导演；20
一、鼓腔材质对音色的影响鼓腔是五音排鼓发声的共振载体，材质密度、纹理、含水率直接决定基础音色走向。硬木类鼓腔常用木材包括楸木、桦木、色木、檀木等。硬木密度高、纤维紧密，共振响应快，音色明亮通透，高频清晰有穿透力，中频结实不浑浊，适合专业演奏与乐队合奏。楸木与色木在民族乐器中应用较广，音色偏暖且有力度，桦木高频更亮，檀木则带有独特的木质共鸣泛音，音色偏醇厚华丽。硬木鼓腔对敲击力度反馈灵敏，弱奏细腻，
一、结构形态区别五音排鼓由五个或更多数量、直径递减的鼓体组成，鼓身呈两端略收的桶形或腰鼓形，每面鼓两面均可调音。所有鼓体安装在同一套可升降、可翻转的金属支架上，演奏者站立于支架前，通过转身翻面切换不同音高的鼓面。鼓腔多采用硬木层压或整木制作，鼓圈为钢制可调张力结构，整体为成组组合式设计。花盆鼓为单体鼓，因上鼓面大、下鼓面小、鼓腔中部鼓肚收缩，形似花盆而得名。鼓身通常为木质圆筒收腰结构，单鼓直立或置
一、什么是传统五音排鼓？传统五音排鼓是中国民族打击乐器中按音高排列的鼓组，由五个大小不同、音高依次递升的单面鼓固定在一个专用鼓架上组成。五个鼓通常按低音至高音从左至右排列，音阶相当于民族五声音阶的宫、商、角、徵、羽（do、re、mi、sol、la）。传统五音排鼓源于二十世纪中叶民族乐队改革时期，由民间堂鼓和腰鼓演变而来，经专业乐器厂定型，成为民族乐团打击乐声部的标准配置之一。二、传统五音排鼓的结构
